We recently learned our rootless voicings. In this episode I’m going to show you how to turn these rootless voicings into two hand comping textures to use with groups or while playing solo piano. These sounds are the heart of jazz comping. Anyone who uses these will be creating jazz sounds used through out the years. We’re finally getting to the good stuff of jazz piano voicings and comping.
So structure 2 is simply an inversion of rootless voicings structure 1. We now start on the 7th degree of our minor chord instead of the 3rd. Once you studied structure 1, structure #2 should come just as easily.