This is a great maj#5 line to use to spice up major 7th chords. You can use this line over all major 7th chords and especially to end 2-5-1’s. Mulgrew is just using a major scale but adding a #5 into the mix instead of a natural 5. He then comes down with some other altered extensions and resolves with a common pentatonic pattern. Practice #5 scales in all keys as well as soloing with the #5 scales  coming from the 2-5-1’s.

Enjoy!

Picture of Brenden Lowe

Brenden Lowe

Leave a Reply

Your email address will not be published. Required fields are marked *

New To Jazz Piano?

Most jazz pianists aren’t stuck because they’re lazy — they’re stuck because they don’t have a path.
The Jazz Piano Roadmap shows you exactly what to practice and in what order.

Search

Want a Clear Path Forward?

The Proficient Jazz Pianist is my complete method for building real jazz piano skills — comping, solo piano, and improvisation — without guessing what to practice next.

Popular Podcast Episodes

About Us

Jazz Piano School was created by Brenden Lowe to help pianists stop guessing what to practice and start making real progress at the piano.

Everything here is built around a clear path for the skills that matter most:
comping, solo piano, and improvisation.

The starting point is The Proficient Jazz Pianist — the core step-by-step system that lays the foundation for confident playing.
From there, students can continue into the Jazz Piano School Membership, which builds on that foundation with live learning, deeper study, and community support.

👉 Click here to explore the Proficient Jazz Pianist.

Still not sure what to practice?

The Jazz Piano Roadmap shows you how jazz pianists actually progress — with a clear, goal-based path for comping, solo piano, and improvisation.

If jazz piano has ever felt scattered or overwhelming, this will finally make it easy.

Jazz Piano School