Here is more of a cliche line you here a lot over the D-7. The outline of the chord tones and chromatic resolution to the third of G7. I do really enjoy the augmented sound over the G7. Going up from the third and using the #5(b13) sound. We resolve to the fifth of Cmaj7 on the G.

Points for practicing this lick:

  • Ballad lines can be simple as well.
  • Look for ways to use extensions over the dominant 7th chords.

Enjoy!

Brenden Lowe

Brenden Lowe

Leave a Reply

Your email address will not be published. Required fields are marked *

FREE JAZZ PIANO EDUCATION RIGHT TO YOUR INBOX

Subscribe to our weekly newsletter that delivers the most actionable, tactical, and organized jazz piano education tips you actually need. Start making more progress, for free.

*Plus, get instant access to the 3-part Jazz Piano School System training – an jazz piano education system that actually helps you get better fast.

Jazz Piano School