Last time we examined why we practice – which is to slow down the process, extract your internal information, and achieve a high level of
A common FAQ is “What Should I Practice?”. But a more important SAQ (“should ask question”) is “Why Do I Practice?”. Many have defined practicing
When playing in the trio setting, a jazz pianist’s left hand is often an afterthought, a purely supportive entity that acts out of reflex rather
McCoy Tyner is unquestionably one of the most influential jazz pianists to date, with one of the most clearly recognizable sounds. But McCoy’s sound changed
Last time we looked at some orchestration techniques and the main challenges involved in playing solo piano. If you haven’t checked that out yet, click
While playing solo piano can be incredibly liberating, it can also be an incredibly daunting task with all of the melodic, harmonic, and rhythmic onus
A topic I get asked about frequently from non-classically trained jazz pianists is about piano technique. A little personal background – before I was a
Polychords are a simple yet effective way to enrich your harmonic vocabulary and access extended or altered tones. In a basic sense, a polychord is
Last year I had the incredible fortune of taking John Riley’s rhythmic analysis class at the Manhattan School of Music. John is an incredible player
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