Discover the “Lost Art” of the Shout Chorus!
![Discover the "Lost Art" of the Shout Chorus!](https://jazzpianoschool.com/wp-content/uploads/2020/05/194-Banner-Post-1024x507.jpg)
You know what can really take things to the next level? A good old-fashioned shout chorus! The best pianists such as Oscar Peterson, Erroll Garner, and Nat King Cole utilized shout choruses in their trios. Sometimes they took sections and ripped them straight from their favorite jazz big band arrangments! Check out some of our favorite shout choruses in this week’s podcast.
Oscar Peterson Starts Things off Right with “Just You, Just Me” (LOTW #183)
![Watch as Oscar Peterson starts things off right with this lick of the week](https://jazzpianoschool.com/wp-content/uploads/2020/05/183-Banner-1024x507.jpg)
Besides being the king of burning down the blues, Oscar Peterson was also a master of playing intros! Setting up the tune can be on of a pianist’s most important responsibilities. Listen how Oscar starts things off right on “Just You, Just Me” from his classic album with Lester Young. https://youtu.be/RNLghVAt8sU CLICK HERE TO GET […]
Bud Powell “Anthropology” Transcription Analyzed (Ep: 193)
![Watch Bud Powell "Anthropology" Transcription Analyzed](https://jazzpianoschool.com/wp-content/uploads/2020/05/193-Banner-1024x507.jpg)
Bud Powell was clearly and innovator of his time and greatly contributed to the language of jazz we all use today. In this podcast episode I’m going to analyze Bud Powell’s solo over “Anthropology” but at the same time teach you HOW to deconstruct improvisation solos into what I call “Lego Building Blocks”. This strategy will not only help you be able to use the ideas quicker, but will allow you to combine them with others in order to create your own solos more effectively. I absolutely love helping students with this because I use to learn licks and lines and simply plop them right into my solo. And guess what? It was CLEAR that what I had just played was NOT spontaneously improvised by myself. It sounded fake! So this “Lego Building Block” strategy is sure to help you with that problem.
Kenny Kirkland Lets Loose on this Modal Lick! (LOTW #182)
![Watch Kenny Kirkland let loose on this modal lick](https://jazzpianoschool.com/wp-content/uploads/2020/05/182-Banner-1024x507.jpg)
Kenny Kirkland is one of those stars who burnt brightly, but quickly. During the short time we had him on this Earth, he left us with some amazing piano playing! Listen as he lets loose on “Mr. J.C.,” a track dedicated to John Coltrane off his self-titled album from 1991. Kenny could sure burn!!! https://youtu.be/CKj2oZ7KdQc […]
3 Harmonization Strategies Every Jazz Pianist Needs (Ep: 192)
![Learn these 3 levels of jazz piano harmonization](https://jazzpianoschool.com/wp-content/uploads/2020/05/192-Banner-1024x507.jpg)
If you’ve been looking for a way to spice up your chord progressions, try this fun harmonization exercise! This podcast will show you how to take the simplest melodies and give them a more interesting underlying chord structure. Your harmonizations won’t be the same after this!
Creating Tension with Pedal Points (Ep: 191)
![Learn how to create tension with pedal points](https://jazzpianoschool.com/wp-content/uploads/2020/05/191-Banner-1024x507.jpg)
A pedal point is when you keep the same note in the bass while changing the chords on top. Doing this for a series of measures creates a sense of both connection and tension. Using pedal points builds energy so that when the bass note finally changes, the harmonies of the tune seem to burst forth like a waterfall breaking through a dam. This lesson explores how to incorporate pedal points into your own playing.
Stevie Wonder’s Famous Line from “Sir Duke” Pt. 2 (LOTW #180)
![Stevie Wonder's Famous Line from "Sir Duke"](https://jazzpianoschool.com/wp-content/uploads/2020/04/180-Banner-1024x507.jpg)
“Sir Duke” is a tune off of Stevie Wonders iconic album, “Songs in the Key of Life” (1976). He wrote it in homage to one of his great jazz influences, Duke Ellington. This week’s LOTW features the second half of the line in its completion. Check it out! https://youtu.be/PmYX04TN6uE CLICK HERE TO GET A TRANSCRIPTION […]
Mastering the Left Hand (pt. 2) – Fourths and Clusters (Ep: 190)
![How to master the left hand - Fourths and Clusters](https://jazzpianoschool.com/wp-content/uploads/2020/04/190-Banner-1024x507.jpg)
This jazz piano podcast tutorial series will show you how to mix things up and keep your left hand voicings sounding fresh. In this episode, we discuss chords you can use with structures made from fourths and clusters. After this video, you will have the sounds of McCoy Tyner and Bill Evans in the palm of your (left) hand!
Mastering the Left Hand (pt. 1) – Chord Inversions (Ep:189)
![Mastering the Left Hand - Chord Inversions](https://jazzpianoschool.com/wp-content/uploads/2020/04/189-Banner-1024x507.jpg)
This jazz piano podcast tutorial series will show you how to work your left hand so your left hand can work for YOU! In this episode, we discuss which chords you can use in your LH voicings, first through exploring chord inversions. We will have your left hand sounding like the best of them all (Red Garland, Brad Mehldau, Keith Jarrett… ever heard of them??) by the end of this video!
Herbie’s Minor Third Lick from “Dolphin Dance” (LOTW #178)
![Learn Herbie's Minor Third Lick from "Dolphin Dance"](https://jazzpianoschool.com/wp-content/uploads/2020/04/178-Banner-1024x507.jpg)
Herbie Hancock is known as one of the great innovators of jazz piano. In honor of his 80th birthday last week, we’ve got a lick this week from his iconic record “Maiden Voyage” (1965). He introduces his solo with this ascending minor third idea on what would become a jazz standard tune of his, “Dolphin […]