Bud Powell Solo & Analysis – Rhythm Changes Part 2 (Ep: 195)
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This week we continue our analysis of Bud Powells solo over Anthropology. We also learn about WHY taking small, bite sized, improv lego building blocks from transcriptions and solos is MUCH more beneficial than just learning the enter solo from the get go. After we analyzed the individual parts, THEN we can learn the entire solo. But if we fail to understand what is happening, then the only thing that happens is we copy what someone else has done when we’re improvising instead of spontaneously improvising from our own soul. Which would you rather do?
Benny Green Lays it Down on “These are Soulful Days” (LOTW #184)
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Benny Green shows his Hard-Bop jazz chops on this Lee Morgan tune, “These are Soulful Days” from his album of the same name. He lays down a double time line and grooves over a minor cadence, putting a period at the end of a masterful sentence of improvisation CLICK HERE TO GET A TRANSCRIPTION OF […]
Discover the “Lost Art” of the Shout Chorus!
![Discover the "Lost Art" of the Shout Chorus!](https://jazzpianoschool.com/wp-content/uploads/2020/05/194-Banner-Post-1024x507.jpg)
You know what can really take things to the next level? A good old-fashioned shout chorus! The best pianists such as Oscar Peterson, Erroll Garner, and Nat King Cole utilized shout choruses in their trios. Sometimes they took sections and ripped them straight from their favorite jazz big band arrangments! Check out some of our favorite shout choruses in this week’s podcast.
Oscar Peterson Starts Things off Right with “Just You, Just Me” (LOTW #183)
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Besides being the king of burning down the blues, Oscar Peterson was also a master of playing intros! Setting up the tune can be on of a pianist’s most important responsibilities. Listen how Oscar starts things off right on “Just You, Just Me” from his classic album with Lester Young. https://youtu.be/RNLghVAt8sU CLICK HERE TO GET […]
Bud Powell “Anthropology” Transcription Analyzed (Ep: 193)
![Watch Bud Powell "Anthropology" Transcription Analyzed](https://jazzpianoschool.com/wp-content/uploads/2020/05/193-Banner-1024x507.jpg)
Bud Powell was clearly and innovator of his time and greatly contributed to the language of jazz we all use today. In this podcast episode I’m going to analyze Bud Powell’s solo over “Anthropology” but at the same time teach you HOW to deconstruct improvisation solos into what I call “Lego Building Blocks”. This strategy will not only help you be able to use the ideas quicker, but will allow you to combine them with others in order to create your own solos more effectively. I absolutely love helping students with this because I use to learn licks and lines and simply plop them right into my solo. And guess what? It was CLEAR that what I had just played was NOT spontaneously improvised by myself. It sounded fake! So this “Lego Building Block” strategy is sure to help you with that problem.
Kenny Kirkland Lets Loose on this Modal Lick! (LOTW #182)
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Kenny Kirkland is one of those stars who burnt brightly, but quickly. During the short time we had him on this Earth, he left us with some amazing piano playing! Listen as he lets loose on “Mr. J.C.,” a track dedicated to John Coltrane off his self-titled album from 1991. Kenny could sure burn!!! https://youtu.be/CKj2oZ7KdQc […]
3 Harmonization Strategies Every Jazz Pianist Needs (Ep: 192)
![Learn these 3 levels of jazz piano harmonization](https://jazzpianoschool.com/wp-content/uploads/2020/05/192-Banner-1024x507.jpg)
If you’ve been looking for a way to spice up your chord progressions, try this fun harmonization exercise! This podcast will show you how to take the simplest melodies and give them a more interesting underlying chord structure. Your harmonizations won’t be the same after this!
A Sexy Solo Break by Edward Simon on “My Cherie Amour” (LOTW #181)
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For those of you who don’t know pianist Edward Simon, you’ll want to get to know him after this week’s lick! During his tenure in the SFJazz Collective, his arrangements and solos brought an extra layer of sophistication to the group. Listen to this sultry solo break over their reimagining of the classic Stevie Wonder […]
Creating Tension with Pedal Points (Ep: 191)
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A pedal point is when you keep the same note in the bass while changing the chords on top. Doing this for a series of measures creates a sense of both connection and tension. Using pedal points builds energy so that when the bass note finally changes, the harmonies of the tune seem to burst forth like a waterfall breaking through a dam. This lesson explores how to incorporate pedal points into your own playing.
Stevie Wonder’s Famous Line from “Sir Duke” Pt. 2 (LOTW #180)
![Stevie Wonder's Famous Line from "Sir Duke"](https://jazzpianoschool.com/wp-content/uploads/2020/04/180-Banner-1024x507.jpg)
“Sir Duke” is a tune off of Stevie Wonders iconic album, “Songs in the Key of Life” (1976). He wrote it in homage to one of his great jazz influences, Duke Ellington. This week’s LOTW features the second half of the line in its completion. Check it out! https://youtu.be/PmYX04TN6uE CLICK HERE TO GET A TRANSCRIPTION […]