If you’ve been looking for a way to spice up your chord progressions, try this fun harmonization exercise! This podcast will show you how to take the simplest melodies and give them a more interesting underlying chord structure. Your harmonizations won’t be the same after this!
A pedal point is when you keep the same note in the bass while changing the chords on top. Doing this for a series of measures creates a sense of both connection and tension. Using pedal points builds energy so that when the bass note finally changes, the harmonies of the tune seem to burst forth like a waterfall breaking through a dam. This lesson explores how to incorporate pedal points into your own playing.
This jazz piano podcast tutorial series will show you how to mix things up and keep your left hand voicings sounding fresh. In this episode, we discuss chords you can use with structures made from fourths and clusters. After this video, you will have the sounds of McCoy Tyner and Bill Evans in the palm of your (left) hand!
On one of his most iconic trio tunes,”Waltz for Debby,” Bill Evans takes a left turn from the ordinary waltz and goes into 4/4 meter after the first chorus! Check out this week’s lick as Bill opens his solo with a beautiful melodic sequence, demonstrating quintessential characteristics of his own style improvisation. The rest of […]
In this lesson we’ll continue learning how to play “block chord” voicings in the style of George Shearing. We will be working on minor voicings in the key of F, specifically with the tune “Lullaby of Birdland.” George Shearing often played this tune with these very voicings, so it is a great model from which to start!
In this lesson we’ll learn how to play “block chord” voicings in a jazz style. This technique was made famous by George Shearing, and used by other pianists such as Oscar Peterson and Bill Evans. You can use it to harmonize melodies and achieve a fuller soloistic sound when playing in a group.
Learn how to shift and move extensions in your voicings with this quick method to create a more modern jazz piano sound! With this method you’ll be create that complicated inner voice movement that you hear Bill Evans achieve, not to mention many other huge jazz piano giants. Jazz Piano School has taught thousands of students to achieve jazz piano freedom using methods and strategies exactly like the one you’ll learn in this video.
I think we can all agree Solo Piano is a NASTY BEAST! Even Bill Evans said it best to Marian McPartland, that he felt that he had a long way to improve, and this was AFTER he had recorded his first solo album which is ammmmazzing. Anyway, in this podcast I review the 7 most CRUCIAL elements to improving your solo piano and ensuring you’re getting the sound that you want, dream of, and hear on albums! Enjoy!
Last time we looked at some orchestration techniques and the main challenges involved in playing solo piano. If you haven’t checked that out yet, click here to read that first. Today we are going to tie it all together by looking in-depth at a solo piano arrangement of Bill Evans on “Here’s That Rainy Day”. […]