Fill Style Comping (Part 2): Jobim āGirl From Ipanemaā Brazilian Comping Analysis
In part 1 of this series, we analyzed Oscar Petersonās fill-style comping on āSweet Loraineā alongside Herb Ellisā 4-in-the-bar style comping. In part 2 of this 3-part series, we are going to examine how to comp alongside a guitarist on a Bossa nova tune. When comping in a Brazilian group, the guitarist serves as the […]
Fill-Style Comping (Part 1): Oscar Peterson āItās Only A Paper Moonā Comping Analysis
Fill-style comping can be a very effective tool when dealing with a crowded accompaniment space: when comping in a traditional big band setting when comping alongside a guitaristās brazilian rhythmic comping when comping alongside a guitaristās ā4 to a barā comping In part 1 of this 3-part series, we are going to examine Oscar Petersonās […]
Accompanying Singers ā Hillary Kole āDuetsā: How To Set Up A Solid Intro
Hillary Koleās You Are There (Duets) is a fascinating study in how to accompany a jazz singer in a vocal-piano duo setting. The record contains 13 vocal-piano duets with many different pianists, including Kenny Barron, Dave Brubeck, Benny Green, Hank Jones, Steve Kuhn, Freddy Cole, Cedar Walton, Alan Broadbent, Monty Alexander, Michel Legrand, and Mike […]
Comping – What is it? Why is it important?
People talk of the great jazz pianists: Bill Evans, Chick Corea, Brad Mehldau, and what do they remember? Most often it is their lines and soloing ability. What most people donāt think about when it comes to these great musicians is their ability to accompany or play within a group. Ā What is […]
Nancy Wilson and Tips for Playing with Singers
By Joanna Sabater SinceĀ Nancy Wilson recently celebrated her 78th birthday, weāre going to learn about her life and impact on jazz. Weāll also talk about some tips for playing with singers. After winning a talent contest in High School, Wilson got her start headlining a local show in Columbus, Ohio called Skyline Melodies. Ā After graduating […]
Educational Perspectives of a Jazz Pianist by David Hazeltine
By David Hazeltine I was 11 years old when after 3 years of basic music instruction, I began my weekly lessons with Will Green, a very accomplished blind, Jazz pianist and organist. His style of teaching was completely hands on, meaning he taught me exactly how to play tunes with precise voicings and bass notes, […]
Now For Something Different – Lee Konitz’s “Motion”
By Joanna Sabater Letās talk about a wonderful album called Motion by the great saxophonist Lee Konitz.Ā MotionĀ features the following musicians: Ā Lee Konitz – Alto Saxophone Elvin Jones – Drums Sonny Dallas ā Bass Do you notice anything interesting about this lineup? Thereās no piano! Although the piano is an extremely important instrument, listening to groups […]
Jazz Piano Voicings – How To Comp Like Wes Montgomery
Wes Montgomery is frequently overlooked whenĀ talking about the GREAT jazz soloists. Montgomery’s approach to jazz improvisation should be utilized by ALL soloists but especially pianists. Instead of focusing on specific harmony or rhythm devices used, the core of Wes’ improvisation come from his use of different textures to develop ideas. PianistsĀ can take full advantage of […]
Useful Considerations for Jazz Piano Comping
By Sam Griffith Jazz piano comping can be extremely difficult. When accompanying other musicians, pianistsĀ have a lot to think about! Here are a few things to ALWAYS remember: Keep It Simple! This process always begins with finding the right notes AND playing them in time. This is not always easy, but very important to remember! […]
How To Impress Drummers With Your Rhythmic Comping
One of my students recently asked me a great question about how to approach exploring rhythmic concepts to incorporate into his playing. Although he has played classical music for many years, he started taking jazz lessons with me about 2 years ago, and has just recently played his first gig and a couple more after […]
