Have you been looking for a way to take your Bebop jazz playing to the next level? In this edition of Bebop Secrets, we will discuss how to use Enclosures in your jazz improvisation. Great pianists from Bud Powell to Oscar Peterson utilize Enclosures in their playing, and you can too with the help of these exercises!
At the famous London House Sessions of 1961′ Live in Chicago, O.P. and his trio took no prisoners. This raucous version of Woody ‘N’ You features chorus after chorus of burning soloing followed by three iconic shout choruses. This lick is a continuation of an excerpt from the first chorus of solo. Follow along as […]
At the famous London House Sessions of 1961′ Live in Chicago, O.P. and his trio took no prisoners. This raucous version of Woody ‘N’ You features chorus after chorus of burning soloing followed by three iconic shout choruses. This lick is an excerpt from the first chorus of solo. Follow along as Oscar burns down […]
You know what can really take things to the next level? A good old-fashioned shout chorus! The best pianists such as Oscar Peterson, Erroll Garner, and Nat King Cole utilized shout choruses in their trios. Sometimes they took sections and ripped them straight from their favorite jazz big band arrangments! Check out some of our favorite shout choruses in this week’s podcast.
We love Oscar Peterson for his ability to play beautiful lines over chord changes, but most of all for his bluesy solo ideas! Check out this passage from “Love For Sale” off of the album Oscar Peterson Plays the Cole Porter Songbook, it ain’t nothin’ but the blues!! CLICK HERE TO GET A TRANSCRIPTION OF […]
In this lesson we’ll continue learning how to play “block chord” voicings in the style of George Shearing. We will be working on minor voicings in the key of F, specifically with the tune “Lullaby of Birdland.” George Shearing often played this tune with these very voicings, so it is a great model from which to start!
In this lesson we’ll learn how to play “block chord” voicings in a jazz style. This technique was made famous by George Shearing, and used by other pianists such as Oscar Peterson and Bill Evans. You can use it to harmonize melodies and achieve a fuller soloistic sound when playing in a group.
Fill-style comping can be a very effective tool when dealing with a crowded accompaniment space: when comping in a traditional big band setting when comping alongside a guitarist’s brazilian rhythmic comping when comping alongside a guitarist’s “4 to a bar” comping In part 1 of this 3-part series, we are going to examine Oscar Peterson’s […]
I think we can all agree that Oscar Peterson is a beast. He was my main inspiration growing up so I’ve learned and studies his style…a lot! In this podcast I go over 11 specific characteristics in his playing that make him sound the way he does. This one is a doozy! Enjoy!