Share on facebook Facebook Share on google Google+ Share on twitter Twitter Share on linkedin LinkedIn This week we’re coming at you with a burning …
Improvising over 32 measure of minor 7th chords can leave us scratching our heads. What do we play? How do we keep our solo interesting. In this episode I’m going to show you my 7 favorite ways to improvise over modal minor 7th chords so you can implement burnin’ colors, textures and atmospheres into your solo! Enjoy!
Learning jazz piano isn’t a guessing game, even that’s how I approached it for 15+ years. It’s a system. The majority of students, including myself start by learning tunes.
This should be the LAST step we do. Before that we need jazz piano TOOLS. Would you try and read and write without learning the Alphabet? No of course not.
Jazz Piano is the exact same way.
In this 15 minute podcast I’m going to break down the 4 step system we use that is has successfully taught thousands of students jazz piano so you can use it too.
Here we look at how to create more 4 and 5 note voicings in a modal setting. Today’s session explores a more flexible approach in D dorian by transposing shapes through the mode. To take it further, we look at a technique of chromatic transposition used by Herbie Hancock.
This it taken directly from our new specialty course “How To Crush The Blues”. These 4 comping setups are sure to give you everything you need to know in order to provide lush and rich sounding blues accompaniment to anyone.
Here is a tutorial to create 4 and 5 note pentatonic voicings. These voicings work well over modal tunes like “So What” by Miles Davis, and will give you a modern sound to add to your toolbox of voicings! Enjoy!
Recently, I had the privilege of performing Jim McNeely’s arrangements of John Coltrane’s A Love Supreme with Joe Lovano in a series of concerts at …