Insane Brad Mehldau Line from Art of the Trio (LOTW #142)
Have you ever wondered what’s going on when Brad Mehldau goes off into one of his virtuosic solos? Take a closer look at this line from Art of the Trio Vol. 2 Live at the Village Vanguard (1998). https://youtu.be/AQrfq0jM7gs CLICK HERE TO GET A TRANSCRIPTION OF THE LICK If you have questions or suggestions for […]
Greasy Benny Green Triplet Line (LOTW #141)
Listen to Benny Green swing his butt off with the Ray Brown Trio on the album Live at Scullers in 1996. He digs into the triplet feel with drummer Greg Hutchinson. Check this out to get more grease in your playing! https://youtu.be/Ajx0j0wHVJ0 CLICK HERE TO GET A TRANSCRIPTION OF THE LICK If you have questions […]
Killing Post-Bop Jazz Piano Lick (LOTW #140)
This week’s lick is a piece of post-bop vocabulary you can pull out when you want to take this to the next level. It is a quartal (4th based) line that moves in 4ths ascending by major second intervals, resulting in a cycle that repeats. Give this lick a try and see where it leads! […]
Herbie Hancock Sidestepping Post-Bop Lines (LOTW #139)
Listen to Herbie do his thing on his fourth album as a leader, “Empyrean Isles.” This tune “One Finger Snap” would later go on to become a jazz standard. After some more conventional bop playing, Herbie takes it outside in the last two measures of this lick with his signature “sidestepping” technique. This piece of […]
Bill Evans Extended Chords Comping (LOTW #138)
Bill Evans is a master of using upper extensions of chords to create beautiful and colorful harmony. On his trio record, “Explorations” (1961) he begins comping for Scott LaFaro’s bass solo with crystalline structures of stacked thirds and makes some unique sonorities, all while maintaining a sense of melody in his accompaniment. https://youtu.be/VaX6FPBVu84 CLICK HERE […]
Early McCoy Tyner Line from Reaching Fourth (LOTW #137)
Here is a quintessential bit of McCoy Tyner vocabulary. McCoy influenced everyone that came after him when it came to playing in a post-bop modal style, and this line from “Reaching Fourth” (1963) captures the essence of his style. He plays over a static A7 chord and puts his characteristic McCoy spin on it. See […]
Erroll Garner’s Swinging Lines on “I’ll Remember April” (LOTW #135)
Erroll Garner swings in a league of his own on his famous recording “Concert by the Sea.” He treads the line between bebop and swing, and his chromatic and adventurous lines lead him to new destinations every time! https://youtu.be/iprk9P7g8is CLICK HERE TO GET A TRANSCRIPTION OF THE LICK If you have questions or suggestions for […]
Keith Jarrett’s Ballad Stylings on “Danny Boy” (LOTW #134)
Keith Jarrett interprets the traditional Irish Ballad “Danny Boy” with a personal touch at this Tokyo solo concert from 2002. He uses voicings that you don’t hear every day, some including major 9ths and passing tones. Note how he throws in his personal flair with a reharmonization in the 5th bar! When compared to Bill […]
LOTW #133 – Bill Evans’ Rubato Stylings on “Danny Boy”
Bill Evans interprets the traditional ballad “Danny Boy” showcasing his elegant piano style and beautiful voicings. Note how he presents the melody with advanced harmonies and splits the voicings between two hands with the flexibility to maintain the melody. Bill Evans shows his mastery in this recording, the rest of this track is definitely worth […]
Burning Oscar Peterson Lick (LOTW #136)
Oscar Peterson is undoubtedly one of the most burning piano players out there. What is his secret? If we look at this lick from “Softly as in a Morning Sunrise,” we can notice by putting it on the keyboard that it actually fits in the hand very naturally. While it is certainly virtuosic, it is […]
