On Monday, October 2nd, 2017 I had the privilege of participating in Barry Harrisâ Masterclass at Manhattan School of Music as his ginny pig pianist.
Last time we examined why we practice – which is to slow down the process, extract your internal information, and achieve a high level of
A common FAQ is âWhat Should I Practice?â. But a more important SAQ (âshould ask questionâ) is âWhy Do I Practice?â. Many have defined practicing
When playing in the trio setting, a jazz pianistâs left hand is often an afterthought, a purely supportive entity that acts out of reflex rather
McCoy Tyner is unquestionably one of the most influential jazz pianists to date, with one of the most clearly recognizable sounds. But McCoyâs sound changed
Last time we looked at some orchestration techniques and the main challenges involved in playing solo piano. If you havenât checked that out yet, click
While playing solo piano can be incredibly liberating, it can also be an incredibly daunting task with all of the melodic, harmonic, and rhythmic onus
A topic I get asked about frequently from non-classically trained jazz pianists is about piano technique. A little personal background â before I was a
Polychords are a simple yet effective way to enrich your harmonic vocabulary and access extended or altered tones. In a basic sense, a polychord is
