Taylor Eigsti rips through some changes on his arrangement of the standard tune, “I Love You” for his album Let It Come to You. The line begins with a chromatic enclosure around a Bb and ascends through some melodic minor modes. Where some people would place a conventional 3625 progression, he sidesteps downwards with a sequence of pentatonic shapes that will knock you out of your seat!!
![](https://jazzpianoschool.com/wp-content/uploads/2024/03/331-1024x507.png)