Theory

INTERMEDIATE LIBRARY

Dominant Bebop Scale

Bebop Scale On Chord Tones

Isolate Rootless Voicings #1

Major 6th Bebop Scale

Isolating Rootless Voicings #2

Minor 2-5-1 Rootless Voicings

Minor 7th Bebop Scale

Half Step Below Approach

Voiceleading Rootless Voicings

Chord Scale Above Approach

Dominant To Maj 6th Bebop Scale Connection

HB & CSA Combination Approach

Chromatic Approach

CS + Chromatic Approach

Tritone Substitution

Relative 2 Minor Reharm

Tritone & Relative 2 Combo Reharm

Secondary Dominants Reharm

Secondary Dominant, Tritone, and Relative 2 Reharm

Diminished Chords

Sus Chord Reharm

How To Voice Sus Chords

How To Use Sus Chords

Passing Chords 1: Diatonic Movement

Sus Reharm 2

Sus Chords In A Blues

Passing Diminished Chords

Passing Diminished Sus Sound

Block Chord Intro

Passing Chord Block Chords

Drop 2 Voicings

Passing Chord Inversions

Passing Chord Series Wrap Up

Dominant Bebop Scale Application

Bebop Scale Chord Tones App

Rootless Voicing #1 Isolation App

Major 6th Bebop App

Rootless Voicings #2 Isolation App

Minor 7th Bebop App

Half Step Below App

Rootless Voiceleading App

Chord Scale Approach App

Dominant to Maj6th Bebop Connection App

HB & CSA Approach App

Chromatic Approach App

Tritone App

Relative Minor Reharm App

Combination Reharm App

Secondary Dominant App

Sus Chords Reharm App

Passing Chords (Diatonic Movement) App

Sus, Tritone, Diminished App

Passing Minor Block Chords App

Passing Chord Inversions App